SCULPTURES
I’m looking for the simplest way to create complexity, without having to make or build anything. It’s not about using sculptural ideas on architecture, it’s more like making sculpture through it. So it seems there’s always been a constant relationship in my work between architecture and sculpture. The dialectic is based on my dual tendency of seeking the point of equilibrium, the balance between the static subject and the context in a progression from line to plane, which is sort of dynamic volume.
The mask
Dark lady
Out of time #2
Ready
Galata
Long view
Boxer at rest
You talkin' me
Face to face
The time was lost
In my eyes
Marathon man
Somewhere else
The marble warrior
Fresh-cut
Spotlight
Tears go down
The black shape
The white ghost
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